As Twitter retires Fleets the social media site is stuck with itself

By John Herrman August 5, 2021 â€" 10.08am

It was just another Wednesday morning on the timeline, but something was off. Everyone was posting. They seemed a little stressed, but that’s normal. The Greenwich Mean fights were dispersing. Eastern Standard discourses were shuffling into formation. Main character auditions were underway. All of the little mixed-metaphor icons â€" the birdhouse, the magnifying glass, the bell, the envelope, the quill (?) with a plus sign (??) â€" seemed to be in order.

Everything was in its right place. That’s what had changed. Fleets â€" those disappearing posts, presented in bubbles, that resembled Instagram and Snapchat Stories â€" were permanently gone.

Fleets were designed to give users an option for less permanent discussion, but they were themeselves fleeting.

Fleets were designed to give users an option for less permanent discussion, but they were themeselves fleeting.Credit:Bloomberg

In July, Twitter announced that the feature, which rolled out publicly in November 2020, would disappear on August 3.

“We built Fleets to address some of the anxieties that hold people back from Tweeting,” the company said. Although that isn’t usually understood to be Twitter’s main problem, the company decided that, after seeing little increase in people “joining the conversation,” it would shelve the feature.

Aside from the implication that Fleets were something other than an attempt to incorporate a competitor’s feature in the hopes of increasing engagement, the announcement was unusually frank. We tried! Users didn’t use. Lessons learned. Better luck next time, to us.

But as anyone who uses Twitter knows, recalcitrance reigns.

Twitter is influential. It’s also relatively small. Its user base is just a fraction of Facebook’s, YouTube’s, TikTok’s or Instagram’s. The company reports substantially fewer users than Snapchat and slightly fewer than Reddit. It’s the least-used social network that everyone knows about, seemingly talked about more than it’s talked on.

Twitter’s situation would seem more bizarre if hadn’t been this way for so long. Its stagnant-to-slow growth, its incremental approach to adding new features and its adherence to formal limitation would be deemed intolerable or absurd in other corporate contexts. In 2005, nobody could have guessed what Facebook would become. Show 2021 Twitter to a time-travelling 2007 Twitter user, though, and they wouldn’t likely have many questions, at least not about the platform itself.

When Twitter has committed to major change, it has done so in a gradual, piecemeal fashion, experimenting with capabilities outside its main app before integrating them (see: Periscope, Vine). It took more than a decade to get from 140 to 280 characters. When new big-deal features stick around â€" live video, for example â€" they remain subordinate to the core experience.

This slow process can leave users feeling unheard, or a bit stuck. The platform’s history, however, is uniquely bound up with their participation.

In Twitter: A Biography, Jean Burgess and Nancy K. Baym describe Twitter’s product as we know it today as a result of “a set of conventions” that “emerged through user experimentation.” Early adopters, in other words, came up with ways to get more out of Twitter’s primitive feed â€" an @ symbol, a hashtag, the RT â€" and then Twitter turned those practices into features.

That Twitter’s users come up with its core capabilities is both well known and ongoing â€" quote tweets and threads are more recent examples â€" but it misses half the story. Some of the other social platforms can feel like massive experiments, where users are subjected, with varying degrees of awareness, to constant tests. A button is there one day, and not the next. You’re nudged between news and then live video and then chats and then Groups.

Twitter, by contrast, when it’s not recognising and sanctioning new habits â€" not all of them good for the community â€" is more often in the position of merely applying a brake, or fiddling with a knob that turns between “Less Twitter” and “More Twitter,” with “Twitter” defined not by Twitter itself but by hundreds of millions of people who will simply not log off, lest they lose their chance to see or be seen in the One True Feed.

Twitter, of course, can do whatever it wants. It’s frequently humbled by its collective users, but it frequently disappoints them, too. (In some contexts, “more Twitter” equates with harassment.) It’s also a profitable company that extracts billions of dollars from this process.

Twitter, like each of its users, has two options for the long term: double down or draw back. Any attempt at a third way will never be more than fleeting.

The New York Times

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